Bach Bibliography Search Result

Author : Tatlow, Ruth
Max number of results shown : 300
Display author field : OFF
Output sorted : chronologically (table)

Type	List	Title [further info]	Series	Vol	No	Year	Pages	Status
		[]
	1.	LUSUS POETICUS VEL MUSICUS. Johann Sebastian Bach. The Baroque Paragram and Frederich Smend's theory of a musical Number Alphabet.	diss.			1987
	2.	Der literarische Gebrauch der Alphabetzahlen zur Zeit Bachs.	BulTheolBachF	1		1988	157-180
	3.	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number-Alphabet Theory.	Bach	20	3	Fall 1989	15-33
	4.	J. S. Bach and the Baroque Paragram: A Reappraisal of Friedrich Smend's Number Alphabet Theory.	MLetters	70	2	Apr 1989	191-205
	5.	Bach and the Riddle of the Number Alphabet.				1991	186p
	6.	Towards a theory of Bach's Pre-compositional Style.	[p]BS_Dortmund			Jan 1998
	7.	Towards a Theory of Bach's Pre-compositional Style.	DortmundBachF	2		1999	19-36
	8.	Bach: Easter Cantatas BWV 6 and 66.				2000
	9.	Bach: Funeral Cantatas BWV 106, 118, 198.				2000
	10.	Bach: Cantatas 3rd Sunday after Epiphany BWV 72, 73, 111, 156.				2000
	11.	Bach: Ascension Cantatas BWV 11, 128, 37, 43.				2000
	12.	Bach: Whitsun Cantatas BWV 34, 59, 74, 172.				2000
	13.	Bach: Feast of the Purification of the Blessed Virgin Mary BWV 82, 83, 125, 200.				2000
	14.	Bach: Cantatas for the New Year and for 21st and 23rd Sundays after Trinity BWV 16, 98, 139.				2000
	15.	Bach: Cantatas for the Visitation of Mary and 27the Sunday after Trinity BWV 140, 147.				2000
	16.	Bach: Advent Cantatas BWV 61, 36, 62.				2000
	17.	Bach: Christmas Cantatas BWV 63, 64, 121, 133.				2000
	18.	Bach: Cantatas for 9th Sunday after Trinity BWV 105, 94, 168.				2000
	19.	Bach: Cantatas for 11th Sunday after Trinity BWV 113, 179, 199.				2000
	20.	Bach and Numbers.	BachCantataPilgrimage	2		2000	97-102
	21.	Numerical ordering in Bach's church cantatas.	[p]AMS_Toronto			Nov 2000
	22.	Pre-compositional ordering in Bach's B Minor Mass.	[p]IS_Oxford			Dec 2000
	23.	The Use and Abuse of the Fibonacci Sequence, The Golden Section and The Divine Proportion in Musicology Today: With particular application to Bach Studies.	[p]IS_Oxford			Dec 2001
	24.	Text, the Number Alphabet and Numerical Ordering in Bach's Church Cantatas.	DortmundBachF	3		2002	121-133
	25.	N is for 'Numerology'.				2005
	26.	The Use and Abuse of Fibonacci Numbers and the Golden Section in Baroque Music.	[p]BICB_Warsaw			Jul 2006
	27.	Collections, bars and numbers: Analytical coincidence or Bach's design?	[p]BNUK_Oxford			Dec 2006
	28.	The Use and Abuse of Fibonacci Numbers and the Golden Section in Musicology Today.	UnderstandingBach	1		2006	69-85
	29.	When the Theorists are Silent: Mattheson, Bach and the Development of Historically Informed Analytical Techniques.				2007	203-216
	30.	Bach Network UK -- latest report: New Directions in Bach Studies: Second J S Bach Dialogue Meeting [9-10 December 2006 in Oxford]	BachNotesLBS			Mar 2007	[5]
	31.	Parallel Proportions, Final Revisions and the Status of Manuscript P 180.	[cr]Belfast2007	1		2007	118-136
	32.	Numerical Ordering in Bach's B-minor Mass.	[cr]Belfast2007	2		2007	435-445
	33.	N för Numerologi.	TidigMusik		3	2007	18-19
	34.	Collections, bars and numbers: Analytical coincidence or Bach's design?	UnderstandingBach	2		2007	37-58
	35.	Bach's parallel proportions and their implications, illustrated by the Six solos for violin, the Leipzig organ chorales and the Musical Offering.	[p]ABS_Bethlehem			May 2008
	36.	Bach's Numbers? Proportional parallelism and its implications for musicology.	[p]AMS_Nashville			Nov 2008
	37.	Demystifying Myths: Bach and his Use of Numbers.	[p]BICB_Leeds			Jul 2008
	38.	Report on the Third J. S. Bach Dialogue Meeting: New Directions in Bach Studies.	UnderstandingBach	3		2008	109-111
	39.	Bach's Parallel Proportions and the Qualities of the Authentic Bachian Collection.	DortmundBachF	8		2009	135-155
	40.	Buttstett-Mattheson dispute and its implication for Bach Studies.	[p]BNUK_Oxford			Jan 2009
	41.	Bach & Friends: Three Reviews of Michael Lawrence's New Film.	BachNotesABS		13	Fall 2010	1-4
	42.	The Goblet of Anise: A Case Study.	[p]BICB_Belfast			Jul 2010
	43.	Report of the 14th Biennial Conference on Baroque Music.	UnderstandingBach	5		2010	99-103
	44.	Bach no Ango: Kazu to Sozo no Himitsu.				2011	311, 63p
	45.	Discovering New and Recovering Old Methods for Bach Studies.	[p]BNUK_Edinburgh			Aug 2011
	46.	Report on the Fifth Johann Sebastian Bach Dialogue Meeting.	UnderstandingBach	6		2011	61-65
	47.	Challenging Virtuality: A Personal Reflection.	BachNotesABS		16	Spring 2012	5-6
	48.	Narratives of Number in the Neumeister Chorales.	[p]BICB_Southampton			Jul 2012
	49.	Challenging Virtuality: A Personal Reflection.	UnderstandingBach	7		2012	57-60
	50.	Bach's Numbers: Sources, Exegesis, Illustrations.				2013
	51.	Parallel proportions, numerical structures and Harmonie in Bach's autograph score.	[ce]ExploringBMM			2013	142-162
	52.	Bach's Numbers: Sources, Exegesis, Illustrations.	[p]BNUK_Warsaw			Jul 2013
	53.	Theoretical Hope: A Vision for the Application of Historically Informed Theory.	UnderstandingBach	8		2013	33-60
	54.	Metaphor or Reality: Harmonic Proportions, Canons and Compositions in Heaven.	[p]BICB_Salzburg			Jul 2014
	55.	Bach's numbers: compositional proportion and significance.				2015	xviii, 411p
	56.	A Missed Opportunity: Reflections on Written by Mrs Bach.	UnderstandingBach	10		2015	141-157
	57.	Ten Years of Bach Network UK.	UnderstandingBach	10		2015	175-177
	58.	A Lutheran Theology of Proportions and Bach's Response.	[p]ABS_SouthBend			Apr 2016
	59.	Magnificent Measurements: Significance in the Structure of C. P. E. Bach's Magnificat.	[p]BICB_Canterbury			Jul 2016
	60.	A Glorious Summer Meeting: the 2015 Dialogue Report.	UnderstandingBach	11		2016	149-152
	61.	Symmetry and a Template: Bach's Well-Tempered Clavier, and Chopin's Preludes, Op. 28.	[cr]Warsaw2017			2019	51-81